137 Min. | Action – Horror – Sci-Fi | August 1986
IMDB Rating: 8.4
Director: James Cameron
Staring: Sigourney Weaver, Michael Biehn, Carrie Henn
Aliens Review: In Aliens, 57 years after the events of the first film, Ellen Ripley (Sigourney Weaver) is found and awakened from hyper sleep to discover that a terraforming colony has been set up on LV-426, the planet wherein she and her fellow crew of the mining cargo spaceship Nostromo first encountered the titular aliens. When Earth-based communications loses contact with LV-426, a band of marines are sent to investigate, taking Ripley and a representative from the company that financed the colony, Carter Burke (Paul Reiser) along for the ride. For the difficult job of following up Ridley Scott’s excellent Alien, director James Cameron decided to go a completely different route–to make a fast moving, slightly tongue-in-cheek, boisterous action extravaganza. Remarkably, he was able to do that while still maintaining a stylistic and literary continuity that melds Aliens seamlessly with the first film.
Ripley is much more fully developed in Aliens, although unfortunately, some of the most significant scenes were deleted from the theatrical release. Cameron fashioned Aliens into a grand arc where Ripley’s actions at the end of the film have much more meaning as she’s not only fighting monsters, but also fighting to retain a semblance of something she lost due to her 57-year hyper sleep. As in the first film, she is still the most intelligent, courageous and resourceful member of the crew, but she has much more colorful company. The marines accompanying Ripley back to LV-426 may be too cartoonish for some tastes, but for anyone more agreeable to that kind of caricatured exaggeration, it’s a joy to watch. Cameron carries over the crypt/labyrinth motif of the first film, and adds a metaphorical descent into the bowels of hell in the climax. The action throughout is suspenseful. Aliens contains one of my favorite “cat fights” in any film. It’s also worth noting the influence this film may have had on Paul Verhoeven’s Starship Troopers (1997)-although admittedly, we could say that Cameron was influenced a bit by the Robert A. Heinlein book, as well.
Part of what makes the monsters so effective is that we’re not told too much about them. We only get glimpses into their physiology’s, their behavioral patterns and their intelligence. Cameron gives us just enough to become wrapped up in the film, but not so much that we become overly familiar with the aliens, or start to question the logic behind the film. He also smartly carries over some devices from the first film that were abandoned to an extent, such as the acidic blood of the aliens, and he supplies answers to the few questions that the first film raised, such as why the blood doesn’t corrode instruments and objects when a dead alien is examined. Aliens is yet another example of a sequel that is just as good as an original film in a series.