160 Min. | Biography – Drama – History | December 1984
IMDB Rating: 8.3
Director: Milos Forman
Staring: F. Murray Abraham, Tom Hulce, Elizabeth Berridge
Amadeus Review: In 1984, Saul Zaentz, Peter Shaffer and Milos Forman collaborated in bringing a truly remarkable life to the silver screen. The story of Wolfgang Amadeus Mozart, through the eyes of rival composer, Antonio Salieri. Amadeus is complete with an insightful script, magnificent acting, wondrous sets and costume designs, incredible choreography, and, above all, the glorious music of Mozart himself. Amadeus of Salieri’s life, through which Mozart played an integral part, is told in flashback mode, beginning in around the year 1822. An old and perhaps emotionally disturbed Antonio Salieri attempts suicide, and in doing so, apologizes for killing Mozart some 31 years earlier. He survives and is admitted to an insane asylum, where he tells a young priest his tale of jealousy and mediocrity.
As Amadeus moves along, carrying with it a deep sadness of the human condition, it also celebrates life by giving the audience joyous music, wonderful atmosphere and a general appreciation of humanity for not only eighteenth century Europe, but in any age where music speaks for our emotions. Amadeus won eight Academy Awards in March of 1985. The only reason it did not win nine was that Tom Hulce was nominated for best actor instead of best supporting actor. He actually was in a supporting role, and in a strange twist of irony, F. Murray Abraham won the best actor statuette, citing probably the only time when Salieri beat out Mozart in anything.
Amadeus itself was shot in Prague where Milos Forman said “is a gem because it’s possible to pivot the camera a full three hundred and sixty degrees and never encounter a modern vision.” Very few new sets had to be built, as the scenes and buildings they found were quite often apropos to their needs. Amadeus works well on virtually every cinematic plane that exists. Amadeus is a masterpiece that must be viewed multiple times to receive what the film has to offer. The emotions of humanity, through the eyes of the troubled Salieri, indeed speak for all of mediocrity. He is their champion and their king.
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